“My first experiences with art were drawings. I love to draw. I have over 3000 figure drawings stored in my studio. In college (1964-68) the first art class I could get into as a non-art major was Advanced Painting 2. I got an A based on my imagination, not my painting skills. The figure was my first choice of subject in both drawing and painting, but in Colorado in the '70's mountain paintings were what sold. I taught myself to paint doing mountain landscapes; I climbed mountains, took pictures, and painted them in my studio, and they sold well. I liked painting the land and weather of the West, but photorealism began to feel like a factory job. Take the picture. Paint the painting.

In NYC in 1984 I discovered found objects. Things left on the street followed me home to my studio on Lexington Ave and evolved into figures. This led to grad school and an MFA in sculpture in 1987. When I returned to painting in 1988 in Philadelphia, I began incorporating found elements into my work, using collages and stencils. Using parts of stencils and ones of my creation I have developed a method of mark-making that has evolved over 30 years; the letters or fragments of letters also reference language and 'civilization". Over 50 years I have continued to paint both the figure and landscape.”